Versindaba Blog Archive Introduction: As the words began to dream (Wilhelm Knobel)
By way of introduction: Here is a collection of over 180 pages, sometimes with very long poems, and sometimes how to get rid of bad breath very cryptic poems - at least difficult to understand for me. However: I just want to warn that I am not going to give a lecture as a called Literator or critic. The critic is already addressed in the poem 'Weather on the critic', parodieërend ask the poet: 'How can you be so sure you repeat yourself?', And the poet answer yourself: 'Who' t maybe that I was sure? Also in charge: how to get rid of bad breath 'Do I know you sly voice? / Trap! or I will fire you / fire you with the coals of Blood By / you know '(47). The critic is only the poor thunder'm saying how to get rid of bad breath already said.
This bundle If the words began to dream is a selection how to get rid of bad breath of poems by Wilhelm Knobel composed by Johann de Lange. It is commemorating Wilhelm's 75th birthday, commissioned by Deon Knobel, how to get rid of bad breath and published by Bel Monte publishers. There are also two previous volumes: Two Cycles: unarmed how to get rid of bad breath man 70 issued in 2005, and Wilhem Knobel unarmed man ... of childhood how to get rid of bad breath to sterwenstyd ... 2008.
From the first pages of As the words began to dream is one of the themes, viz. given pain: He had pain / and went out on the street / to seek help / ... (15). Other recurring themes are death, disease, redemption, anxiety how to get rid of bad breath (perhaps necessary for the formation of a poem), madness, childhood, dreams, fish, trees, his relationship with his parents. But it continuously dreams, as in the title .. and later ... / .. call him Joseph the dreamer (65).
This self-confessed feature or obstruction, coming perhaps best expressed in the following poem: if you even love me I do not know / how would I know / because I'm a dreamer / who are dreaming in his dream / and an even stronger hold / where we will be so bent gestrengel / that I no longer know where I stop / starting / I wake up in the morning / the flavor of your lips on my tongue / and sweep hair out of my mouth / your morning kiss' (124). To dream obviously can have several meanings: dream in sleep, daydreaming awake, desire, imagination, fantasy.
Then there is an even stronger common topic as dreams, viz. the inability of the word to bring liberation (and an even stronger hold) Therefore I will now talk now specifically.
Deon Knobel said something - in the 2008 collection - which probably characterize the thematic: "His work offers one of the unique opportunities in African literature where a psychiatric illness image with extremely fine understanding and observation in poetic language is described." The key word here is described. But it's an effort to poetic way too far word. The poetry themselves mad syntax and semantics, which will show the madness. I just want to in passing - and not as a comparative assessment - the example of Peter Blum's' Man crazy naming (I quote the turn, where the word that freedom brings, as it were spelled out: ... one permeated word bead all single unit / lift, power clock tongue the warreld free, must sermon / that conform to juble free: WOKNAKWYF! how to get rid of bad breath '). This is our rescue WOKNAKWYF (quote from enclaves of light, 21).
But to come back to this bundle. The title poem is the key poem, and the first verse is speaking: 'If the words start dreaming / going to be a trap door open in me / I see sleek animals silently / against dripping walls uitbeur / a pit / Black letters / on white sheet / Pen their gleaming bodies soon find :/ A final shudder stubborn life / Then lay them quiet / two-two (36).
The dream here is surreal, is not a signified. The words as signifiers can not reach a signified. But then there was a talisman, an amulet: blood against against bleeding he will bear not only beauty. But later hold the blood to glow - and it is only worn for decoration. Apparently, after a long battle in a very long poem there is a silence, voiceless words' (51). Like words meant. A post-modernist concept completely. how to get rid of bad breath The impossible task: to articulate the dream. And it is this kind of discouragement with the word Knobel an intermediate figure between the Thirties poets and the Sixties poets disillusionment with the word (which is the best example how to get rid of bad breath Breyten's poetry). Of the Thirties remember we have Van Wyk Louw's satisfaction with the beiteltjie poetic word, and the word w
By way of introduction: Here is a collection of over 180 pages, sometimes with very long poems, and sometimes how to get rid of bad breath very cryptic poems - at least difficult to understand for me. However: I just want to warn that I am not going to give a lecture as a called Literator or critic. The critic is already addressed in the poem 'Weather on the critic', parodieërend ask the poet: 'How can you be so sure you repeat yourself?', And the poet answer yourself: 'Who' t maybe that I was sure? Also in charge: how to get rid of bad breath 'Do I know you sly voice? / Trap! or I will fire you / fire you with the coals of Blood By / you know '(47). The critic is only the poor thunder'm saying how to get rid of bad breath already said.
This bundle If the words began to dream is a selection how to get rid of bad breath of poems by Wilhelm Knobel composed by Johann de Lange. It is commemorating Wilhelm's 75th birthday, commissioned by Deon Knobel, how to get rid of bad breath and published by Bel Monte publishers. There are also two previous volumes: Two Cycles: unarmed how to get rid of bad breath man 70 issued in 2005, and Wilhem Knobel unarmed man ... of childhood how to get rid of bad breath to sterwenstyd ... 2008.
From the first pages of As the words began to dream is one of the themes, viz. given pain: He had pain / and went out on the street / to seek help / ... (15). Other recurring themes are death, disease, redemption, anxiety how to get rid of bad breath (perhaps necessary for the formation of a poem), madness, childhood, dreams, fish, trees, his relationship with his parents. But it continuously dreams, as in the title .. and later ... / .. call him Joseph the dreamer (65).
This self-confessed feature or obstruction, coming perhaps best expressed in the following poem: if you even love me I do not know / how would I know / because I'm a dreamer / who are dreaming in his dream / and an even stronger hold / where we will be so bent gestrengel / that I no longer know where I stop / starting / I wake up in the morning / the flavor of your lips on my tongue / and sweep hair out of my mouth / your morning kiss' (124). To dream obviously can have several meanings: dream in sleep, daydreaming awake, desire, imagination, fantasy.
Then there is an even stronger common topic as dreams, viz. the inability of the word to bring liberation (and an even stronger hold) Therefore I will now talk now specifically.
Deon Knobel said something - in the 2008 collection - which probably characterize the thematic: "His work offers one of the unique opportunities in African literature where a psychiatric illness image with extremely fine understanding and observation in poetic language is described." The key word here is described. But it's an effort to poetic way too far word. The poetry themselves mad syntax and semantics, which will show the madness. I just want to in passing - and not as a comparative assessment - the example of Peter Blum's' Man crazy naming (I quote the turn, where the word that freedom brings, as it were spelled out: ... one permeated word bead all single unit / lift, power clock tongue the warreld free, must sermon / that conform to juble free: WOKNAKWYF! how to get rid of bad breath '). This is our rescue WOKNAKWYF (quote from enclaves of light, 21).
But to come back to this bundle. The title poem is the key poem, and the first verse is speaking: 'If the words start dreaming / going to be a trap door open in me / I see sleek animals silently / against dripping walls uitbeur / a pit / Black letters / on white sheet / Pen their gleaming bodies soon find :/ A final shudder stubborn life / Then lay them quiet / two-two (36).
The dream here is surreal, is not a signified. The words as signifiers can not reach a signified. But then there was a talisman, an amulet: blood against against bleeding he will bear not only beauty. But later hold the blood to glow - and it is only worn for decoration. Apparently, after a long battle in a very long poem there is a silence, voiceless words' (51). Like words meant. A post-modernist concept completely. how to get rid of bad breath The impossible task: to articulate the dream. And it is this kind of discouragement with the word Knobel an intermediate figure between the Thirties poets and the Sixties poets disillusionment with the word (which is the best example how to get rid of bad breath Breyten's poetry). Of the Thirties remember we have Van Wyk Louw's satisfaction with the beiteltjie poetic word, and the word w
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