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The adaptation of "Romeo and Juliet" by Dugald Bruce-Lockhart, actor and associate director of the acclaimed tudou British company Propeller, which can be seen until 12 January Akademi Theatre begins with a nod to the statues Las Ramblas, and it is indeed the theater in general: the character who introduces asks you put a few coins to begin to act and take the statue that life is unhappy lovers of Verona. Theater within the theater.
As I said in a recent interview the director, and collected in the playbill, he has wanted to remove dust accumulated over the years, ie, the multiple layers of meaning in reference to the well-known theme of love Romeo and Juliet to look deeper ones: the idea of the construction of identity tudou through the other. And such identification or dependence may become obsessive, so that when one of the two disappears, seriously compromises the identity of the other, to the point of bringing the known outcome of the double suicide.
I have been fortunate to see the Propeller action, but as I read this proposal Barcelona has a touch of freshness and boldness trademark. The English company recreates parts of Shakespeare only men on stage also for female roles, not because it is as it was in the England of his time, but to propose the viewer an effort of imagination and encourage -the to dive into the theatrical play. A game which allows you to accept the license wooden sticks as swords and red scarves as blood. Personally I found the mix of fantastic evening dresses skirts and skirts tudou with contemporary cut more evocative of the Victorian era, as well as masks dance costumes combined with modern sneakers and jeans to accentuate certain personalities. This successful work of the costumes and signs Ricart Prat Coll. But concise tudou enough, the soundtrack as measured by the same actors, is another outstanding characteristics of this adaptation.
Also brand "propelleriana" freedom director tudou has given the actors to make some contributions to adaptation, as are some words thick updated to cause the desired effect on the viewer (a "host" of the middle text us is shocking but we distance less than if you had the original Bram "fuck" the accurate translation Desclot) not save us, however, "in faith" and "alas" that make it aware that we are seeing a Shakespeare. Fantastic song also Basque Nerea izango Zen as sad and tender tudou echo of the tragedy of love that depends just witnessed, almost casual contribution of a member of the company emerged during rehearsals with the director.
The full cast it leaves the skin, but the work on Oscar Bosch as Friar Laurence / Abraham (we had seen in many solvent Parking Shakespeare), the hilarious Dida Helena Source, the versatile Xisco Segura as Prince / Chorus / Peter and strength interpretive nuances and triple energy deployed by Toni But as Mercutio / Gregory / Paris.
Indeed, as was Bruce-Lockhart during his stay at the Theatre Akademi two years ago, the balcony is ideal for a "Romeo and Juliet". The team of Mercy Manguerra, artistic director of the room had the wisdom to put themselves in agreement with the director to carry on the work space, because it fits perfectly with the project: to be " Centre of production and exhibition of theater conceived coherently, risk and tempo craft, tudou where the public can find creations proposed universal themes. " Because after all, what is more universal conflict: those generated by the construction of identity, which generates love dependent, and conflicts that cross generations perpetuated until one brave soul decides to break chain.
Cia. Akademi Theatre: Oscar Bosch - Friar Laurence / Abraham Emilià Carilla - Capulet / Apothecary, Helena Source - Dida, Sylvia Horn - Juliet Toni Mas - Mercutio / Gregory / Paris, Andrea Montero - Lady Capulet, William Motorcycles - Romeo Louis Olive - Montagut / Brother John Xesco Pinto - Benvolio, George Robles - Tibalt / Baltasar, Xisco Segura - Prince / Chorus / Peter. Author: William
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