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These are hard times for the performing arts. The VAT increase, dentures the decline in subsidies by the institutions, defaults dentures do theater ... make every day more complicated. But luckily, there are those who will counter. This is the case Akademi Theatre, which opened dentures four months ago, being fully aware of the difficulties of the moment. Not that its leaders are not afraid, but go ahead.
Theatre Akademi is to the left of the Eixample Street Buenos Aires 47, near the Plaza Francesc Macia, an area where traditionally there has been no cultural life. Building has been refurbished and has become the theater, and all the specific costs that entails: a special isolation, a complex technical infrastructure, the stage, the stands and much more.
At this point it is inevitable to ask: "But how is it possible?". The answer is one word that is on the agenda: patronage. dentures The building is a private property transferred. The owners wanted to be a space for the performing arts. They implement the project and made the works to enable the space and turn it into a theater. Do not want to be known as the masked superhero comics Marvel. But it seems a declaration of principles as the law of patronage is quoted so often, when requested tax measures and incentives for public recognition. Law "that should have pushed dentures for many years to create relationships and contacts with companies that are now impossible," says Mercedes Managuerra, artistic director of the theater.
The inauguration was held last November. However, the project dentures was developed since 2006. Before becoming a physical place, the project of the Akademi had already begun training and productions. Opened in 2010, but was closed after a short time to build a parking lot in front. Later, the theater had many difficulties to open a series of bureaucratic issues. "Institutions do not help us at all and obstructed license as much as they could," says Managuerra. The license came last November, three years after work began. dentures
The space is small Akademi Theatre. 135m and has a maximum capacity of 120 seats. Surrounded by white columns, and when you enter, but no seats banks, forcing the viewer to interact with the person next to it. When conceived, as it was thought that no shelter space sets, but bodies. The weight of the performances of the theater must fall to the actor, who became a major axis running through all the activities of the Akademi, dentures which not only exhibits but how, experience.
Because the project beyond the representations that can be seen inside the room. The exhibition is considered the only example dentures of a job. Its aim is to bring together people who have concerns to grow the work of the actor, whether principals, teachers or actors themselves. "It's a job that never ends to learn," says Managuerra about their profession. The project aims to make possible a space for reflection on this infinite process.
And "if Beckett is an expert in the texts, we want to be experts in the work of the actor," says Managuerra, looking for a teaching example. He states that he wants to create a "family of people who see the growth of the actor as a reality," and that the theater becomes a place where "exhibition and training are given hand."
We have established four directors actors Sergi Pons, Konrad Zschiedrich Boris Rotenstein and Emilià Carilla. But the Akademi is also open to other projects related to consider. As the texts that work can be creative, classic or contemporary, while talk of universal themes. These days represents the Constellations room - up to 15 March- an open Nick Payne, author and resident dentures awarded the Royal Court in London, which could also see if there is, I have not found a Beckett few months ago. Firm management Monica Bofill. His work has been the Final degree steering dentures Theatre Institute. Representations are also being made, the seven heads